Naomi's Boat - Day 3

This morning I worked on the rose hips? We had all agreed that the shrub looked like a rugosa of sorts.

I started with free motion stitching a scattering 'rose hips' in a loose pattern over hooped netting. I used a very bright rayon so they wouldn't disappear.
Over this I stitched branches visually following the layout in the picture.
Next it was positioned and anchored to the base with more branches in a darker colour.
All the excess netting was cut away.

Over this more branches and three shades of leaves we glue tacked. These were placed to cover the linking threads of the 'hips'. It may have more applied but It depends on the next section and how much it moves into this area.

CQA Group Project - Naomi's Boat

I am privileged to know and stitch with a group of very talented ladies from our guild.
Most are very quiet about their work but in the approximate 10 yrs we come together they all have brought fresh eyes to the various projects we've tackled.
Last September I twisted a few arms and minds and most of us agreed to try a composite piece for the CQA Quilt Exhibition in Ottawa, next June.

Right from the start those of us familiar with 'calls for entry' made it clearly understood there was a definite and ever looming deadline for this. In our case, (while the applications are now open,) we're targeting the closing date of January 31.

This is what the group chose.

The picture was taken by Naomi's husband. He's really tickled pink we chose his photo.

Those more experienced in deadlines and competitions deliberately pushed for quick decisions so the project didn't get over thought or hurdles raised to our completion of this.

It was enlarged and divided into 8 slices and distributed with only one common fabric.

I know most have been working on this, and when I finally got a break in 'Life', I too dove in.
I drew the second slice. It has a touch of the stern of the boat but is primarily vegetation.

As is my way, I colour blocked the background and under colours.

 Starting from the top I began working the branches in the background.

Today I worked down to where I now need to 'manufacture' some rose hips on a wild rugosa.
Everything is simple glue-tacked.
That was a good place to stop today.

Al Cote Workshop Piece - Second Time Around

Back in April I attended a workshop to make a 'rug' using a multi fabric stitch and cut technique. Al Cote hails from the Niagara region and has shown and taught for quite awhile.

You may recall, I was really unhappy with the results. It was just................,  blah  😝

This topic had been on my Fibre Arts group agenda for our 'day at the quilt store' bi-yearly event where we shared and taught each other, or finished major projects. We had to cancel because of other commitments but everyone still wanted to try this. At our last evening get together we worked on these pieces.

I can say I'm much happier with my second attempt, delighted even. So after stitching and clipping each 'window', facing and hemming the edges, then washing and drying (with baited breath) its done.

I like it.
I'll use it.

I can't see right now how to incorporate this in the things I usually do.......but.
I'll have to think.
(I may finish the first now.)

King size Customer Quilt

While this was a lovely quilt to work on, the motifs my friend wanted were larger than the throat of my machine. Now I don't know about other LAs but I really, REALLY hate marking a quilt. I double tested the water erasable pens in many spots and then dove in.

As she wanted a large leafy wreath in the obvious centers of the blocks I drew the guide lines for the vein of the wreath (22 in dia) and how far into the center the leaves would go. Inside that a standard medallion; this one a flower with leaves.

my EQ version to doodle on

center medallion

The rest was vine fill.

Glad to say all the marks came off and my friend took her quilt home to bind. She'll have a very happy daughter this Christmas, I think.

Scandinavian Gnomes / Trolls

I've fallen in love with these little guys. They've been around for quite a while, but this year they seem to be popping up everywhere. Thinking they'd make a nice change of pace in my Christmas decorating (minimalist) I dug through the unmarked boxes for 'stuff'. I could only find one piece of fake fur. I know I have more but for a run through of methods, what I had worked fine.

This first fellow (who ended up on my naked Christmas wreath) utilized a sweater sleeve for the body (hidden here with his beard) and a sewn triangle for a hat. The body (sweater) was molded from the lower half of a sleeve, stitched and drawn up tight at both ends (after filling the cavity with rice). The nose was a 2 inch circle from an old T shirt, drawn up like a yoyo and stuffed with craft poly. A strong wire was run down through the body to support and shape the hat. All pieces are hot glued in place. I attached him to the wreath by running a length of tulle through the wires of the wreath frame and tying it off to form a pocket. He sits in the pocket and it's concealed by his beard.

The next big fellow (10 inches) was constructed with the same basic method but I used a piece of regular material. The bottom end is sealed with a circle stitch to the cylinder of material and filled with rice. Nose was the same but the hat I cut shaped from a fake suede. Again everything is hot glued.

The last little fellow is made entirely from one child's sock. He's filled entirely with craft poly and his nose is a white shank button. His hat is the cuff of the sock with a yarn tassel. While he too is hot glued the beard and hat could have been stitched to the body making is a little more stable for little hands.

I need to hunt down the rest of my fake fur. Hmmmmmmmmmmm I also have a mink stole around somewhere the I took apart this summer.
They were fun.
There are tons of variations and pattern out there. Some use cones, some styrofoam balled and some like these just some creative cutting a hand stitching.
Perfect for and evening with my Fibre Arts group.